{"id":10241,"date":"2015-09-03T08:33:04","date_gmt":"2015-09-03T14:33:04","guid":{"rendered":"http:\/\/www.miscarea.net\/w\/?p=10241"},"modified":"2016-12-21T09:48:38","modified_gmt":"2016-12-21T15:48:38","slug":"cateva-date-despre-decembrie","status":"publish","type":"post","link":"https:\/\/www.miscarea.net\/w\/?p=10241","title":{"rendered":"C\u00c2TEVA DATE DESPRE &#8220;DECEMBRIE&#8221;"},"content":{"rendered":"<div id=\"attachment_10263\" style=\"width: 260px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/www.miscarea.net\/w\/wp-content\/uploads\/2015\/09\/adaugiri-dec1.png?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-10263\" loading=\"lazy\" class=\"wp-image-10263\" src=\"https:\/\/i0.wp.com\/www.miscarea.net\/w\/wp-content\/uploads\/2015\/09\/adaugiri-dec1.png?resize=250%2C374&#038;ssl=1\" alt=\"Rev\" width=\"250\" height=\"374\" srcset=\"https:\/\/i0.wp.com\/www.miscarea.net\/w\/wp-content\/uploads\/2015\/09\/adaugiri-dec1.png?w=358&amp;ssl=1 358w, https:\/\/i0.wp.com\/www.miscarea.net\/w\/wp-content\/uploads\/2015\/09\/adaugiri-dec1.png?resize=200%2C300&amp;ssl=1 200w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><p id=\"caption-attachment-10263\" class=\"wp-caption-text\"><span style=\"color: #ff0000;\"><em>Director: Nicolae Rosu (Anul I, Nr. 1, 17 Dec. 1937)<\/em><\/span><\/p><\/div>\n<p><strong>\u2666 <em><span style=\"color: #008000;\">&#8220;DECEMBRIE&#8221;<\/span><\/em><\/strong> <em>(s\u0103pt\u0103m\u00e2nal de orientare critic\u0103, literar\u0103 si politic\u0103). <\/em>Anul I, Nr. 1, Vineri 17 Decembrie 1937, Bucuresti. Director: Nicolae Rosu. Din motiva\u021bia si sensul de orientare al revistei exclamat \u00een prima pagin\u0103 sub titlul <strong><em>\u201cPentruce, Decembrie?\u201d<\/em><\/strong>, \u021binem s\u0103 extragem: <em>\u201cDecembrie vrea s\u0103 fie post-fa\u021ba lumii vechi. Se \u00eencheie o epoc\u0103 de capitul\u0103ri lase, de imita\u021bii servile si lips\u0103 total\u0103 de \u00eencredere \u00een sufletul rom\u00e2nesc. Decembrie este asadar piatra de hotar. Acei care scriu la aceast\u0103 revist\u0103 sunt vestitorii lumii noi, crainicii biruin\u021belor de m\u00e2ine\u2026 \u00cendrum\u0103toare cinstit\u0103 a destinului, revista Decembrie\u2026 va deschide r\u0103s\u0103ritul lumii noi\u201d.<\/em> Tot \u00een cadrul angajamentului pe care si-l propune \u00een viitor, publica\u021bia condamn\u0103 si se delimiteaz\u0103 de curentele literare anarhice, preciz\u00e2nd c\u0103 <em>\u201cob\u00e2rsia acestui val e un parazit str\u0103in\u201d<\/em>, iar <em>\u201cmisiunea noastr\u0103 va fi, la aceast\u0103 mare r\u0103sp\u00e2ntie \u00een via\u021ba spiritual\u0103 rom\u00e2neasc\u0103, de a denun\u021ba pseudo-valorile na\u021bionale, regizoratele semite si masonice \u00een cultura neamului, tendin\u021bele de falsificare a spiritului rom\u00e2nesc, si de a extirpa, cu toat\u0103 energia, infiltrarea str\u0103inismului \u00een celulele organice ale na\u021biunii\u2026 Vom fi prietenii tuturor acelora, care sunt mai \u00eent\u00e2i rom\u00e2ni, si \u00eencadr\u00e2ndu-se sufletului autohton, nu sfideaz\u0103 nici una din valorile consacrate ale spiritualit\u0103\u021bii noastre: misiunea legendar\u0103 si eroic\u0103, cultura ca expresie a na\u021biunii, ortodoxia \u00een forma si \u00een\u021belesul ei popular, echilibrul viziunii poetice, expresiunea lucid\u0103 si moral\u0103\u201d<\/em> \u2013 art. <em><strong>\u201cFrontispiciu\u201d<\/strong>.<\/em> Semneaz\u0103 \u00een num\u0103rul de debut: Nicolae Rosu \u2013 <strong><em>\u201cViclenia politicianismului\u201d<\/em><\/strong> si Nicolae Andries \u2013 <strong><em>\u201cIstrate Micescu\u201d<\/em><\/strong> (dou\u0103 lu\u0103ri de pozi\u021bie \u00een fa\u021ba afirma\u021biilor tenden\u021bioase exprimate de Istrate Micescu la adresa celor doi eroi legionari c\u0103zu\u021bi la Majadahonda, Ionel Mo\u021ba si Vasile Marin); Anton Balot\u0103 \u2013 <strong><em>\u201cProfesorul Iorga si Istoria Rom\u00e2nilor\u201d<\/em><\/strong>; N. Ladmiss Andrescu \u2013 <strong><em>\u201cLibertatea \u00een crea\u021bia artistic\u0103\u201d<\/em><\/strong> (\u00eensemn\u0103ri dezb\u0103tute pe marginea problemei <em>\u201clibert\u0103\u021bii absolute\u201d<\/em> de crea\u021bie vs. a celei <em>\u201cdisciplinare\u201d<\/em>, de <em>\u201cf\u0103g\u0103suire a crea\u021biei artistice\u201d)<\/em>; Constantin Maican \u2013 <strong><em>\u201cLegionari, comanda la mine!\u201d<\/em><\/strong> (cuprinz\u00e2nd c\u00e2teva note din campania de propagand\u0103 a Legiunii \u00een zona Lehliu); Ilariu Dobridor \u2013 <strong><em>\u201cPreludiu la un proces\u201d <\/em><\/strong>(cu accente polemice \u00een privin\u021ba lui Ion Mihalache si <em>\u201c\u021b\u0103r\u0103nismului\u201d<\/em>); Cezar Petrescu \u2013 <strong><em>\u201cToamn\u0103 \u00een anul jubiliar\u201d<\/em><\/strong> (fragment din romanul <em>1907<\/em>, vol. II, <em>\u201cNoi vrem p\u0103m\u00e2nt\u201d)<\/em>, iar Nicolae Rosu \u00een <strong><em>\u201cFiguri si fapte revolu\u021bionare\u201d<\/em><\/strong>, ni-l prezint\u0103 pe <em>\u201cCel mai t\u00e2n\u0103r viitor dictator: Leon Degrelle\u201d<\/em> si miscarea \u201crexist\u0103\u201d din Belgia, curiculum al vie\u021bii acestuia, ascensiunea, principiile si doctrina<span style=\"color: #ff0000;\"><strong><sup>1)<\/sup><\/strong><\/span> pe care o promoveaz\u0103 cum si evenimentele politice electorale din aceast\u0103 \u021bar\u0103 \u00een contextul anului 1937. Tot \u00een acest num\u0103r, la rubrica de prezent\u0103ri a revistelor rom\u00e2nesti, Teodor Scarlat (T.S.) face un sumar al noii reviste ap\u0103rute <strong>\u201cS\u00e2nzana\u201d<\/strong> de sub conducerea scriitorului C-tin Gane, <em>\u201cbogat\u0103 \u00een material de specialitate\u201d<\/em>, note de apreciere asupra revistelor de conforma\u021bie na\u021bionalist\u0103 \u00eentre care <strong>\u201cIconar\u201d<\/strong> si <strong>\u201c\u00censemn\u0103ri Sociologice\u201d<\/strong> dela Cern\u0103u\u021bi, <strong>\u201cPagini Literare\u201d<\/strong> din Turda, <strong>\u201cLanuri\u201d<\/strong> din Medias, <strong>\u201cVremea\u201d<\/strong> dela Bucuresti, s.a. Tot Teodor Scarlat, la rubrica de <em>\u201cprobleme scriitoricesti\u201d,<\/em> isc\u0103leste articolul intitulat <strong><em>\u201cTineri si b\u0103tr\u00e2ni\u201d<\/em><\/strong>, \u00een care analizeaz\u0103 condi\u021bia si raportul dintre scriitorii celor dou\u0103 genera\u021bii, f\u0103c\u00e2nd un apel de ajutor \u00een viitor a tinerilor scriitori. Semneaz\u0103 versuri: Aron Cotrus \u2013 <strong><em>\u201cC\u0103petenie\u201d<\/em><\/strong>; Radu Gyr \u2013 <strong><em>\u201cBilan\u021b\u201d<\/em><\/strong>; Ion Pillat, trad. din Baudelaire <em>&#8211;<strong>\u201cSf\u00e2rsit de sear\u0103\u201d<\/strong><\/em>; Ion Th. Ilea &#8211; <strong>\u201c<em>R\u0103s\u0103rit de soare\u201d<\/em><\/strong>; N. Crevedia &#8211;<strong> <em>\u201cCic\u0103 e si ea cucoan\u0103\u201d<\/em><\/strong>.<!--more--><\/p>\n<div id=\"attachment_10261\" style=\"width: 249px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/www.miscarea.net\/w\/wp-content\/uploads\/2015\/09\/rec-d.png?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-10261\" loading=\"lazy\" class=\"size-full wp-image-10261\" src=\"https:\/\/i0.wp.com\/www.miscarea.net\/w\/wp-content\/uploads\/2015\/09\/rec-d.png?resize=239%2C332&#038;ssl=1\" alt=\"REV DEC\" width=\"239\" height=\"332\" srcset=\"https:\/\/i0.wp.com\/www.miscarea.net\/w\/wp-content\/uploads\/2015\/09\/rec-d.png?w=239&amp;ssl=1 239w, https:\/\/i0.wp.com\/www.miscarea.net\/w\/wp-content\/uploads\/2015\/09\/rec-d.png?resize=216%2C300&amp;ssl=1 216w\" sizes=\"auto, (max-width: 239px) 100vw, 239px\" \/><\/a><p id=\"caption-attachment-10261\" class=\"wp-caption-text\"><em><span style=\"color: #ff0000;\">Anul I, Nr. 4, 14 Ianuarie 1938<\/span><\/em><\/p><\/div>\n<p>Cel de-al doilea num\u0103r al revistei ap\u0103rut la 24 Decembrie, porneste cu un editorial intitulat <strong><em>\u201cPost festum\u201d<\/em><\/strong> al directorului revistei, N. Rosu, bilan\u021b pe marginea alegerilor electorale din Rom\u00e2nia, reiter\u00e2nd semnifica\u021bia <em>\u201cnoii biruin\u021be legionare\u201d<\/em>, consider\u00e2nd-o ca o adev\u0103rat\u0103 rectificare a<em> \u201csim\u021bului moral si a demnit\u0103\u021bii rom\u00e2nesti\u201d<\/em>. Tot pe frontispiciul revistei, <em>\u201cc\u00e2nt\u0103 lin colind\u201d<\/em> Vasile Voiculescu \u00eentr\u2019un \u2013 sugestiv &#8211; <em><strong>\u201cColind uitat\u201d<\/strong> (\u201c\u2026Stau \u00een staul jos \/ Boi v\u0103rga\u021bi cu s\u00e2nge \/ \u00centre ei Cristos \/ Desmierd\u00e2ndu-i pl\u00e2nge\u201d)<\/em>, al\u0103turi de un desen reprezentativ cu doi colind\u0103tori de zodie nou\u0103 \u00een albul z\u0103pezii asternute, iar mai sus \u00eendemnul biruitor al revistei: <em><strong>\u201d\u00cenainte! P\u0103sim \u00een Rom\u00e2nia Legionar\u0103!\u201d<\/strong>.<\/em> Ilariu Dobridor, \u00een <strong><em>\u201cRegele plugului si sclavul plugului\u201d<\/em><\/strong>, continu\u0103 s\u0103 analizeze <em>\u201cdurerile \u021b\u0103r\u0103nesti stoarse de nefastul vistiernic\u201d<\/em> Virgil Madgearu, sau de <em>\u201czeul tutelar al \u021b\u0103r\u0103nismului, marele st\u0103p\u00e2n, \u00een buc\u0103t\u0103riile c\u0103ruia au ron\u021b\u0103it casele, fiscurile si bancnotele r\u0103smeri\u021bei\u201d<\/em>, care n\u2019a fost altul dec\u00e2t Max Auschnit, \u00een timp ce <em>\u201c\u021b\u0103ranul se hr\u0103neste cu foaia lat\u0103 a dragavciului, cu sfoegit\u0103, pentru ca \u2018regele plugului\u2019 s\u0103-si \u00eendoape serbii\u2026\u201d<\/em> \u00centr&#8217;un remarcabil studiu critic despre <strong><em>&#8220;Domnul Eugen Lovinescu &#8211; falsificator al culturii rom\u00e2nesti&#8221;<\/em><\/strong> si lucrarea acestuia <em>\u201cIstoria literaturii rom\u00e2ne contemporane\u201d<\/em>, Nicolae Rosu ap\u0103r\u00e2nd autohtonismul culturii \u00eel defineste astfel pe deviantul de st\u00e2nga mai sus amintit: <em>&#8220;&#8230;o figur\u0103 de veritabil \u015fab\u0103s-goim \u00een slujba sinagogii literare&#8230;&#8221;,<\/em> \u00een fa\u021ba faptului c\u0103 lucrarea promoveaz\u0103 <em>\u201co serie de scriitori m\u0103run\u021bi, si de provenien\u021b\u0103 meteoric\u0103, semit\u0103 sau semi-semit\u0103\u2026, coco\u021ba\u021bi ca p\u0103duchele pe frunte, la rangul de \u2018for\u021be ale literaturii de m\u00e2ine\u2019\u2026, \u00eentr\u2019o carte de istorie si critic\u0103 literar\u0103 \u00een care nu sunt nici m\u0103car aminti\u021bi cu numele, scriitorii rom\u00e2ni: Mircea Streinul\u2026\u201d<\/em> sau al\u021bii de calibrul lui Ovidiu Papadima, Emil Cioran sau Liviu Rusu<span style=\"color: #ff0000;\"><strong><sup>2)<\/sup><\/strong><\/span>. Vana Volbur\u0103 semneaz\u0103 <em>Cronica plastic\u0103<\/em>, Teodor Scarlat <em>Cronica dramatic\u0103<\/em>; D. Cuclin \u2013 <strong><em>\u201cEvolu\u021bia artei muzicale explicate prin prisma filozofiei hegehiene\u201d<\/em><\/strong>; R.B. \u2013 <strong><em>\u201cDe vorb\u0103 cu Ana si Aurel Juquidi\u201d<\/em><\/strong>; N. Ladmiss-Andreescu \u2013 <strong><em>\u201cProces\u201d<\/em><\/strong> (schi\u021b\u0103). Revista se men\u021bine pe aceiasi linie de \u00eenalt\u0103 \u021binut\u0103 intelectual\u0103 si \u00een numerele urm\u0103toare, c\u00e2stig\u00e2nd colabor\u0103ri de seam\u0103 din partea tinerilor scriitori ai noii genera\u021bii.<\/p>\n<p>Bine \u00eenchegate cronicile diverse trat\u00e2nd despre: literatur\u0103, arta dramatic\u0103 si muzical\u0103, cea plastic\u0103, notele si polemicile din cuprins <em>(\u201ccauteriz\u0103ri, invective\u201d)<\/em>.<\/p>\n<p>Colaboratori \u00een timp ai revistei: Vasile Voiculescu, C-tin Stelian, Mircea Streinul, Nicolae Roman, Cezar Petrescu, Virgil Carianopol, Rudolf Rybiczka, Ion Valerian si mul\u021bi al\u021bii.<\/p>\n<p>Coment\u00e2nd apari\u021bia noului s\u0103pt\u0103m\u00e2nal, revista <strong>&#8220;Sfarm\u0103 Piatr\u0103&#8221;<\/strong> cu nr. 109, \u021binea s\u0103 explice urm\u0103toarele: <em>&#8220;Titlul acestei publica\u021bii \u00eenchide \u00een el pe 10 Decembrie 1922, cu figurile lui eroice, cu pusc\u0103riile si misc\u0103rile baladice de acum 16 ani, \u00eenceputul prigoanei din 1933, si at\u00e2tea amintiri scumpe ale genera\u021biei tinere. Dr. Rosu e unul dintre martorii acestor evenimente. Deaceea a si izbutit s\u0103 reactualizeze \u00een paginile revistei sale at\u00e2t de corect sensul luptelor eroice de \u00eenceput ale na\u021bionalismului. &#8216;Decembrie&#8217; e o tribun\u0103 a intelectualit\u0103\u021bii tinere si militante&#8221;.<\/em> In acelasi context se exprim\u0103 si Dinu Buzdugan \u00een paginile <strong>&#8220;R\u00e2nduelii&#8221;<\/strong>, socotind c\u0103 noua revist\u0103 ap\u0103rut\u0103 vine <em>\u201cs\u0103 \u00eemplineasc\u0103 un rost deosebit \u00eentre publica\u021biile na\u021bionaliste, si anume, s\u0103 dea un caracter mai accesibil, mai viu, problemelor de doctrin\u0103 si \u00eenf\u0103ptuire ale tineretului care lupt\u0103 ast\u0103zi pentru o \u021bar\u0103 nou\u0103&#8221;<\/em> (<strong>&#8220;R\u00e2nduiala&#8221;<\/strong>, vol. II, caietul 9-10, 1937).<\/p>\n<p>Dup\u0103 numai opt numere (asa cum s&#8217;a stabilit ulterior), revista este suprimat\u0103 din ordinul expres al lui N. Iorga, la 13 Februarie 1938.<\/p>\n<p>Tipografia \u201cUniversul\u201d, Bucuresti.<br \/>\n<span style=\"color: #008000;\"><strong>Nicolae NI\u021a\u0102<\/strong><\/span><\/p>\n<p><span style=\"color: #ff0000;\"><strong><sup>1)_____<\/sup><\/strong><\/span><br \/>\n&#8211; <em>\u201cRexismul promoveaz\u0103 ideea de acceptare liber\u0103, necondi\u021bionat\u0103 ideologic, cu scopul de a ajunge la binele personal, societatea d\u00e2nd posibilit\u0103\u021bi de existen\u021b\u0103 sigur\u0103 si \u00eembelsugat\u0103 fiec\u0103rui individ\u201d<\/em> (citat dup\u0103 N. Rosu), program \u00een curs de realizare \u00een cadrul c\u0103ruia s\u0103 se pun\u0103 accentul pe <em>\u201cprotec\u021bia familiei\u201d<\/em>, <em>\u201crefacerea comunit\u0103\u021bii sufletesti a poporului\u201d<\/em>,<em> \u201c\u00eencurajarea natalit\u0103\u021bii\u201d sau \u201crefacerea propriet\u0103\u021bii\u201d<\/em> \u2013 pentru a aminti numai o parte a punctelor din program enun\u021bate.<\/p>\n<p><span style=\"color: #ff0000;\"><strong><sup>2)_____<\/sup><\/strong><\/span><br \/>\n&#8211; Vehement ap\u0103r\u0103tor al Rom\u00e2nismului, N. Rosu a fost permanent animatorul campaniei \u00eendreptate \u00eempotriva <em>&#8220;pornografiei literare&#8221;<\/em>, practicat\u0103 de un apreciabil num\u0103r al str\u0103inilor pentru foloase pecuniare, travesti\u021bi \u00een culturnici mai apoi dup\u0103 instaurarea comunismului, fapt care dovedeste odat\u0103 \u00een plus dreptatea cauzei pentru care at\u00e2t s&#8217;a zb\u0103tut N. Rosu.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2666 &#8220;DECEMBRIE&#8221; (s\u0103pt\u0103m\u00e2nal de orientare critic\u0103, literar\u0103 si politic\u0103). Anul I, Nr. 1, Vineri 17 Decembrie 1937, Bucuresti. Director: Nicolae Rosu. Din motiva\u021bia si sensul de orientare al revistei exclamat \u00een prima pagin\u0103 sub titlul \u201cPentruce, Decembrie?\u201d, \u021binem s\u0103 extragem: \u201cDecembrie vrea s\u0103 fie post-fa\u021ba lumii vechi. Se \u00eencheie o epoc\u0103 de capitul\u0103ri lase, de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-10241","post","type-post","status-publish","format-standard","hentry","category-din-presa-legionara"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p3OdDs-2Fb","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.miscarea.net\/w\/index.php?rest_route=\/wp\/v2\/posts\/10241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miscarea.net\/w\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miscarea.net\/w\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miscarea.net\/w\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miscarea.net\/w\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10241"}],"version-history":[{"count":8,"href":"https:\/\/www.miscarea.net\/w\/index.php?rest_route=\/wp\/v2\/posts\/10241\/revisions"}],"predecessor-version":[{"id":11711,"href":"https:\/\/www.miscarea.net\/w\/index.php?rest_route=\/wp\/v2\/posts\/10241\/revisions\/11711"}],"wp:attachment":[{"href":"https:\/\/www.miscarea.net\/w\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miscarea.net\/w\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miscarea.net\/w\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}